Posts tagged Book Reviews

A Feast for Crows

Review: A Feast for Crows by George R.R. Martin

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It goes without saying that A Feast for Crows is possibly the most controversial book in George R.R. Martin’s A Song of Ice and Fire. Five years in the making, it followed A Storm of Swords, arguably the best book in the series and certainly the most eventful. Absent are fan-favorite characters Dany, Jon and Tyrion (well, almost absent – Jon Snow does put in an appearance early in the book, and Tyrion does appear as a monster in a dream).  Absent too are the huge earth-shattering events of the previous three volumes.

When Martin finished A Storm of Swords, he intended there to be a five year gap in the story before the opening of what was then considered to be the next volume, A Dance with Dragons. However, after writing a big chunk of the next novel, Martin found that the five year gap was untenable from a storytelling perspective. He discovered that he had to recount many of the events from the gap in flashback, which was slowing the main story thrust of the novel. He decided to step back and write a book that covered that five year gap. However, the book soon grew out of control, and ultimately he decided to split the book in two volumes — A Feast for Crows and a new incarnation of A Dance With Dragons.

At the heart of Martin’s problem was something he came to call the “Mereneese Knot.” I won’t get into the story specifics (although I will say that I interviewed him about the knot, among other things, in episode 149 of Television Zombies), but that huge writing problem meant that certain characters could not appear in volume four of the novel until it was resolved. So he took all of the events that took place in the south and wrapped them into A Feast for Crows, and took all the events in the North and across the Narrow Sea and put them into A Dance With Dragons.

The problem is, and this is pure conjecture on my part, that the POV chapters set in the south were originally intended to be supporting stories  – not at all the main plot of the novel. And my guess is that since there wasn’t enough there, he padded the book out with POV’s taking place in Dorne and the Iron Islands, POV’s that likely wouldn’t have happened if the split had not occurred. This is not to say that the non-named POV chapters don’t have merit, or important things don’t happen in them, it’s just that they could have been explained in brief exposition and not taken up half a book. A Feast for Crows, I believe, was a stopgap intended to placate readers while he wrestled with A Dance With Dragons.

However, that said, A Feast for Crows is still a damned good book. It centers on the Lannister twins — Jamie and Cersei — and the different paths they take. Jaime, determined to write his own story in the Kingsguard’s White Book the way that he would want to be remembered struggles to find honor and redemption, while Cersei desperately tries to retain her grasp on power in Kings Landing.

Both arcs are surprisingly satisfying — I thought Jaime was one of the most compelling characters in A Storm of Swords, and he really stands out as the hero of A Feast for Crows. Is Jaime a bad man trying to be good, or a good man who did bad things? It’s hard to say, but I very much like where his journey takes him. Cersei, on the other hand, finally plays her cards — the audience has never been aligned with her POV, and once we are, her take on events becomes, maybe not surprising, but not necessarily as expected. Unintended consequences have long been a theme of A Song of Ice and Fire, and nowhere is that more apparent than in Cersei’s arc in Kings Landing.

Supporting the Jaime and Cersei POV chapters are chapters featuring Brienne, Sam, Arya and Sansa. All interesting — particularly Arya’s two brief  chapters — though mostly padding. The chapters set in Dorne and the Iron Islands help to move playing pieces into position on the board, but are not as compelling as the named chapters (though I will say I liked getting more of an insight into those two settings).

If viewed as a direct sequel to A Storm of Swords, then A Feast for Crows is nothing short of a massive disappointment. But if viewed as an epilogue to A Storm of Swords and as a prologue to A Dance With Dragons, A Feast for Crows is not without merit. Few fantasy novelists have taken the time to show the impact of war on regular people — and Martin definitely spends a great deal of A Feast for Crows doing just that. It is a bleak novel, featuring a cast of characters who all feel left behind by their friends, family and loved ones. People who are trying to pick up the pieces after having lost everything. Longtime readers of Martin’s work will see glimpses of some of his darker novels and short stories here — yes, A Song of Ice and Fire is still pretty upbeat compared to a lot of Martin’s older work (see Dying of the Light, for instance).

Unfortunately, most of the chapters are unnecessary, and it is the weakest volume in the series to date. But the weakest volume in a great series is still pretty great, all things considered. Just make sure you go into the book knowing what to expect and enjoy it for what it is. And with A Dance with Dragons just around the corner, you don’t have to go on thinking that A Feast for Crows might be where everything ends.

Clash of Kings

Book Review: A Clash of Kings by George R.R. Martin

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Back in October 1998, I was working in the Gallery Place neighborhood of Washington, D.C., when on a lark I went into the old Olson’s book store (RIP) near the Shakespeare Theater on my lunch break. The science fiction and fantasy section of the store was pretty meager, but it was the only bookstore in the neighborhood, and I had time to kill. As I scanned the titles on the single row of hardbacks, my eye caught something I couldn’t believe I was seeing — A Clash of Kings by George R.R. Martin. Sitting on the shelf, a good three weeks before street date. Of course, I bought it — I was incredibly thrilled at my luck. No other fans had read it! When I got home, I posted the chapter list on Usenet, and to my surprise, almost every single response claimed that I was lying. I chalked it up to sour grapes and finished the book before it event hit the street.

Now, thirteen years later, I have just re-read A Clash of Kings as part of my epic re-read of A Song of Ice and Fire corresponding with both the HBO television adaptation of Game of Thrones, and the imminent release of Dance With Dragons. Clash of Kings is still an immensely great book, which like the first, centers on the arrival of a new king’s Hand — in this case, the unlikely Hand, Tyrion Lannister — in King’s Landing. Unlike Ned Stark, however, Tyrion is much better equipped to deal with court politics, but a different set of personal weaknesses endanger his reign.  Meanwhile, war engulfs the river lands, Robert’s brothers Renly and Stannis both vie for the Iron Throne, Dany continues her journey to the east, and the Night’s Watch strikes out to discover where all the Wildings have vanished to.  Theon Greyjoy is added as POV character, and along with Tyrion, offers one of the most interesting arcs in the book.

It’s somewhat easy for Clash of Kings to be overshadowed by Storm of Swords (the best in the series thus far) and Game of Thrones, but there is still much to recommend about it. The ending is both sad and hopeful at the same time, a true Empire Strikes Back style ending, and Martin begins to turn the screws on his characters in ways that not even Game of Thrones could anticipate.

gameofthrones

Book Review: A Game of Thrones by George R.R. Martin

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I first read George R.R. Martin’s A Game of Thrones back in 1997, just after I graduated from college — I had completed Robert Jordan’s Wheel of Time (to that point), and was enticed by the Jordan blurb on the cover of the paperback. Combined with a fondness for George R.R. Martin’s short stories and Wild Cards series as a teenager, I knew I should give it a chance. I remember being up late at my mother’s house in the height of winter, feeling an odd chill as I finished the prologue, impressed by the mix of fantasy and horror. Of course, with its rich cast of characters, focus on politics, and subtle approach to magic, A Game of Thrones is much more than its prologue.

In many ways, A Game of Thrones represents a tremendous paradigm shift in fantasy.  Characters are flawed, and central figures — even protagonists — can die horribly. We may take this for granted now, but in the late 1990′s, fantasy was still largely wed to the Tolkien model. Not so after A Game of Thrones. Robert Jordan, David Eddings, Terry Brooks, et al, all seemed adolescent in comparison to Martin.

I have since gone back and read it six times over the past 14 years — whenever a firm date is announced for a new volume of a Song of Ice and Fire, I go back and re-read all the books in the series. The recent announcement of A Dance With Dragons for July 2011 is no different — except this time, I’m reading the series on my Kindle and not in print. Fortunately, the typography and art translates well on the platform, and reading it on Kindle is very similar to reading it in print. Even knowing the story as well as I do, including through a recent screening of the first six episodes of the HBO television adaptation, I find there’s still much to enjoy. The tragedy that befalls Ned Stark and his children is still as great as it was on first reading — and the hindsight of the later books only helps to underline this.

For many years, I have tried to find fantasy series that can compare, and though some come close, none have been able to match A Game of Thrones. And as good as the television series is, the source material is still better.  If you’re still on the fence, you really have no excuse.  Read it. And don’t complain about the Kindle price — it’s worth the $9.

theheroofages

Review: The Hero of Ages by Brandon Sanderson

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Brandon Sanderson’s Mistborn trilogy has been a surprisingly good read, and the final volume, Hero of Ages, ends the series in a way I never quite expected. The edge hard science fiction has always had over the other speculative genres has been its ability to comment on contemporary life through a high concept setting.  Epic fantasy tends to be a simpler affair, focusing on the black and white battle between good and evil over examining the human condition. Generally, it’s Joseph Campbell recycled, but not so with Hero of Ages. In the final volume of the series, Sanderson deals with issues of faith and atheism, the inconsistencies of organized religion and how normal people can made into martyrs, messiahs and gods.

Picking up a year after Well of Ascension, Hero of Ages opens on the cusp of the apocalypse.  The mists, once confined to the night, are staying out longer and longer through the daytime. People exposed to them are struck down by a mysterious illness or killed, and the ash mounts are throwing a near-constant spray of ash into the atmosphere. As Vin and Elend seek out clues left behind by the Lord Ruler that may hold the secret for saving the world, Spook, Sazed and TenSoon all have trials of their own to overcome.

The various character arcs converge on an endpoint that is moving, haunting and ultimately satisfying. The action sequences are as exhilarating as in previous volumes, and although some of the characterization can come off a bit flat at times, the greater subtext of the series, as well as the revelations regarding the nature of the mists, allomancy and the world itself have real resonance.

I fear saying anything more would give too much away, but the Mistborn trilogy isn’t just a great series, it also heralds the arrival of a massive (and prolific) talent. Brandon Sanderson is the real deal — I can’t wait to read his contributions to the Wheel of Time, as well as his upcoming novel, the Way of Kings. Once you get to the end of Mistborn you’ll understand just how serious he is as a writer — this is a man who walks shoulder to shoulder with George R.R. Martin. No mean feat, given how many authors have failed to live up to the comparison.

american-salvage

Review: American Salvage by Bonnie Jo Campbell

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In a literary world where disposable books about shopaholics, arm candy and upper middle class angst are all the rage, it’s nice to discover a book devoted to the lives of ordinary people. Sure, the stories in American Salvage may never get turned into hit films, but they offer up a look at American life lacking from much of today’s contemporary literary fiction. The struggles of the white working class, often forgotten in the popular imagination, are the focus of this incredible collection of stories. So incredible that American Salvage was nominated for a National Book Award, which is nearly unheard of for short story collections.

Campbell’s currency is the tragedy of everyday life, of people living on the margins of society, teetering toward financial and personal ruin. Meth, alcohol, crime and violence all play their part, and many of the characters are reminiscent of people I know, family members and old friends long gone. There is a indisputable honesty and truth to these stories, and though they might not always hit every beat, they always vividly bring their characters to life.

Like other readers, I am reminded of Denis Johnson’s beautiful Jesus’ Son (probably my favorite book of all time), although there is no central narrator to tie the stories together. Campbell’s use of language and the original lives and situations she crafts are nearly as good as Johnson’s, and each story ends on an emotional swell that sticks with you long after you’ve finished it.

Highly recommended.

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